The Ill-Informed Snobbery–It Burns, It BURNS!
Perusing the ever-erstwhile blog The Passive Voice, I came upon this particular post, which in turn led me to the original article, located here at LouisvilleKY.com. It’s an interview with Sue Grafton, she of the Letter Mystery Novel Fame, and I want to alert interested readers that Ms. Graftom was interviewed by none other than the irrepressible Red Tash, who also had the misfortune to interview me last year.
Of course, Grafton’s interview was much more polarizing than mine, likely due to surely well-intended but needlessly incendiary bon mots like this:
Do you have any words of wisdom for young writers?
Quit worrying about publication and master your craft. If you have a good story to tell and if you write it well, the Universe will come to your aid. Don’t self-publish. That’s as good as admitting you’re too lazy to do the hard work.
(Bold by me.)
Ms. Grafton then apparently went on to ignore the lifeline extended in the following question while simultaneously shutting down her internal censors so she might continue with:
In light of our Louisville neighbor John Locke’s blockbuster indie sales, and the growing percentage of each best-seller list being filled out by “indie” writers, do you still feel that advice is solid? I know it was the standard advice a few years ago, but is it still good advice?
If so, what hard work are indie success stories too lazy to complete?
Is it possible that indie publishing is more effective than querying agents & publishers, for the new writer? More and more agents and publishers seem to be treating indie books as the new slush pile.
Good questions. Obviously, I’m not talking about the rare few writers who manage to break out. [Knight Sez: Yeah, because EVERY trade-published writer breaks out... right?] The indie success stories aren’t the rule. They’re the exception. The self-published books I’ve read are often amateurish. I’ve got one sitting on my desk right now and I’ve received hundreds of them over the years. Sorry about that, but it’s the truth. The hard work is taking the rejection, learning the lessons, and mastering the craft over a period of time. I see way too many writers who complete one novel and start looking for the fame and fortune they’re sure they’re entitled to. To me, it seems disrespectful…that a ‘wannabe’ assumes it’s all so easy s/he can put out a ‘published novel’ without bothering to read, study, or do the research. Learning to construct a narrative and create character, learning to balance pace, description, exposition, and dialogue takes a long time. This is not an quick do-it-yourself home project. Self-publishing is a short cut and I don’t believe in short cuts when it comes to the arts. I compare self-publishing to a student managing to conquer Five Easy Pieces on the piano and then wondering if s/he’s ready to be booked into Carnegie Hall. Don’t get me started. Oops..you already did.
(Again… bold by yours truly.)
Sometimes, I just can’t contain my annoyance at folks who can’t read the writing on the wall… especially when they’re supposedly writers. One presumes reading would be an important implement in their writerly toolkit (or perhaps “trollkit,” in this instance), but apparently I’m farther out of touch with the whole “us versus them” matchup than I’d thought.
As one of the unwashed hoi-polloi, I hang my head in sorrow… until I remember the income projections from my writing this year, then I perk up and I haz a happy.
And oh yeah, my reviews are better than Grafton’s. I guess I can smirk about that one, as well.